Almost never performed because of their difficulty. Tier 1 Finzi, Schnittke 1- both with sections which are virtually unplayable. Unknown ranking: Khachaturian and Gulda cello concertos. Straightforward pathing, not super introspective from a musical perspective IMO. Both these pieces should be cellist's introductions to cello concertos.Lalo is an awkward piece to play, but not significantly difficult. Elgar is not as difficult as the others, more musicality focused for sure, and requires a lot of musical introspection, but not as significant of a challenge.Dvorak is a monster of an endurance/musicality/technique beast, but can be overcome. Schumann is probably the hardest to pull off musicality wise.If you only focus on being a virtuoso player with both these pieces, they're going to sound not that nice. Shostakovich is a monster of a cello concerto, the Rococo variations really push skill + musicality blend.concertos + concerto-esque (non-piano accompaniment) ranked only from hardest to easiest. Cello Concerto No.I wouldn't agree with this list.Cello Concerto No.9, G.482, B-flat major.Cello Concerto No.1, G.474, E-flat major.The G.482 merely forms the outer shell of the work. Large portions of G.477 and G.478 are inserted into the outer movements. Grützmacher's paraphrase replaces the original second movement with the one from G.480 concerto.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |